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Vision Age VFX specialises in high-end matchmove and rotoanim. Workflows, QC, case studies, and technical tips from Tunisia’s ...
Television This VFX Breakdown for ‘Andor’ Season 2 Showcases the Power of Practical Locations Watch how the blend of digital effects and real sets makes 'Star Wars' come to life.
‘Top Gun: Maverick’ Reveals Rare Look at VFX Work At Oscar Bakeoff The team elaborated on the movie's 2,400 VFX shots during the annual event for branch voters.
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Screen Rant on MSN“How Are You Ever Going To Make That Look Passable?”: Superman VFX Supervisor Details The Movie’s Biggest Effects Challenges
ScreenRant interviews Superman VFX supervisor Guy Williams about his work helping to establish the look of James Gunn’s new DC Universe.
On “ Avengers: Infinity War,” the vfx crew found that a new innovation — machine learning — made it possible to create the character Thanos in a way that would have simply been impossible ...
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Creative Bloq on MSNInside an AI animation studio: how we’re rewriting the rules
AI is changing that. Over the next five years, we’ll see a shift from massive studios to small, focused teams capable of ...
The video revisits several now-legendary vfx horror stories and suggests ways that a collapse of the industry may be avoided.
Successful youthful versions of Robert De Niro in 'The Irishman' and Will Smith in 'Gemini Man' mark the next visual effects frontier for Hollywood.
Godzilla Minus One Did VFX the ’90s Way and That's Why It Won an Oscar The Big G’s Oscar win proves Hollywood needs to change its attitude towards VFX.
Visual effects workers at Marvel Studios unanimously voted to join the International Alliance of Theatrical Stage Employees, the union said.
VFX house DNEG has hired David Conley as executive producer. Conley is perhaps best known for his work as executive producer at Weta FX, where he managed productions including “Avatar: The Way ...
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